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WITD 201.01 Erotic Whip Play168 viewsErotic Whip Play demonstrates various sensuous techniques with a singletail whip. Small mistake in the video, the first technique demonstrated is slow drag. A technique not mentioned is slipping a condom on the pommel of the whip and using it as an insertable. The practice target to use for the butterfly kiss and cracker stall techniques is a blown up balloon. Try butterfly kissing the knot on the balloon without touching the balloon. Translates to butterfly kissing a nipple without touching the chest.
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WITD 201.02 Footwork-Horizontal Throwing111 viewsFootwork-Horizontal Throwing @_D_ Small changes on the throwing end affect sensations on the receiving end (surface target/whip catcher). Working the whip circle while maintaining accuracy will vary sensations and keep even the most bored whip catcher engaged with the energy and the music, I meant to say rhythm of the whip.
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WITD 201.03 The Flick115 viewsExtending the basic forward figure 8 into intermediate throwing techniques, The Flick is the first variation. This video looks at setting up a forehand flick, continued goals of controlled puffs and extending the stall of the whip to set up the crack.
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WITD 201.04 Overhand Crack93 viewsOverhand Crack The goal of the overhand crack is to create a U-shaped crack that rolls out over the top, or on the vertical. Much like a baseball or softball thrown directly overhand. When compared to the Flick which is thrown 3/4. Observing there is a slight variation on the throwing end when comparing an overhand with a flick. But small variations on the throwing end result in larger changes on the catching end. Practice this throw with controlled puffs, and remember this when thrown correctly at the heart chakra will also kiss the butt on the follow through of the arc or create a lighter touch on the root chakra.
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WITD 201.05 Backhand Flick75 viewsBackhand Flick WITD 201.3 showed the forehand flick. Now reverse the process, isolate the backhand, stall the whip coming out of the forward figure 8 on the back hand side and flick it into a rolling U shape crack. Practice controlled puffs 1-8 on the backhand side, extending the whip's stall will make the flick effortless. Practice the backhand more than the forehand so that eventually both forehand and backhand are consistently even. This will be important when energy exchange is broken down further.
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WITD 201.06 Backhand Crack62 viewsBackhand Crack WITD 201.3 & 4 established the forehand flick and overhand. WITD 201.5 showed the backhand flick. Continuing to work on the backhand this video shows the slight variation to throw an overhand U-shaped crack on the backhand side. Call it simply a backhand crack. Remember slight variations on the throwing end make larger changes on the catching end. First simply watch the shape of the crack making a U-shape on the vertical on the backhand side. Then compare the wrist and hand position on the release point that makes this crack different than the backhand flick.
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WITD 201.07 The Cutback62 viewsThe Cutback Almost 50 videos into the series and this is the first S-shaped crack taught. Sport crackers often teach the Circus crack or Cattleman's crack as the first crack to learn. While it is the easiest crack to learn and the loudest to crack. This S-shaped crack depending upon the geometric plane it is thrown in goes by many names. When angled on the backhand side on a diagonal, it can be called a backhand cattleman's crack, or a Cutback. A cattleman's crack naturally wants to crack 2/3 of the way down the thong. Long before it reaches its dungeon target, a whip catcher. So slow the cutback way down when learning it and let the S-shape, transition into a U-shape and let it rollout all the way to its target for a controlled puff finish. Then practice it with controlled puffs. The first crack learned sport cracking is the LAST crack to learn when the goal is throwing in the dungeon on a living target with control and finesse.
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WITD 201.08 Intermediate Practice Targets64 viewsIntermediate Practice Targets Show and tell, explanation of why certain types of targets for practice translate better to live play on whip catchers in the dungeon. Some targets lend themselves better to practicing finesse with the whip and work on controlled puffs.
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WITD 201.09 Beginnings48 viewsSequencing Play discusses standard components of a mixed whip dungeon scene. The 200 series will take each component and discuss that segment in more detail. Beginnings is the first verse if you will of a dungeon scene.
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WITD 201.10 Warmup62 viewsA warmup is essential for a good whip scene. It establishes a base line of energy exchange to build upon. If the whip catcher does not want marks, then it prepares the skin for the singletail and minimizes the chances of marks. Of course cracker material and composition also affects marks, and the skill level of the whip top. A warmup also puts the thrower in touch with the relative 1-10 pain scale of the whip catcher setting the stage for the next level of play in a mixed whip scene.
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WITD 201.11 Buildup56 viewsBuildup "builds" on the Warmup to bring play into the 3, 4, 5, 6 pain scale. Cat o' nine tails are great whips for build up. Compare response between the root and heart chakras. Read body language to determine which chakra a whip catcher is preferring. Use this to guide singletail play. Climb the ladder with the singletail to play 6, 7, 8 by ramping up.
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WITD 201.12 Cooldown59 viewsCooldown by calming the scene down. Move energy, slow draw with Singletail, something soft like a rabbit fur flogger. Touching, erotic play with permission is a nice cooldown. Connection with an ending.
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