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WITD 301.07 Advanced Footwork51 viewsAdvanced footwork builds on the concept that small changes in the throwing end result in larger changes and a broader sensation spectrum on the receiving end of the whip. Building on relating footwork to activities the whip thrower is already familiar with advanced footwork relates foot positions to the 5 ballroom or ballet foot positions. It also relates each of those foot positions to common activities more generally found by active adults.Jul 30, 2020
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WITD 201.18 Intentionality in Play45 viewsThe whip scene with any type of singletail whip is edge play. Regardless of the type of negotiations before play, achieving the results negotiated implies the finesse and ability to actualize intentionality in play. Watch this video to further this discussion. If you negotiated no marks, is the whip top accomplished enough and using the proper type of cracker to with a high probability achieve a successful scene with no marks. Negotiating no marks, and leaving the whip catcher all marked up is poor form. On the other hand, if marks were negotiated was the cracker choice smart to increase the probability of marks being left even with a finessed controlled puff scene as negotiated?Jul 29, 2020
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WITD 201.17 Arts and Crafts42 viewsThis video will get the whip throwers ready for kinky camping events. Suggested materials are No 36 twisted mason line (it is fluffier and holds more paint, No 18 is what is used to make ladysally crackers for play), gel acrylic paints all the colors of the rainbow, tempra paint, drop cloth, parachord whips and canvases, or better yet living canvases to create living art (goggles, safety glasses, blindfolds, or simply closing the eyes recommended). Turn controlled puffs into brush strokes and parachord whips into paint brushes. Great use for parachord whips after the whip thrower has taken the plunge into kangaroo whips.Jul 28, 2020
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WITD 201.16 Music and the Whip38 viewsMusic carries energy. . .sound energy. A whip makes a sound as it travels through the air, and another sound as it ends its travel. From a controlled puff to a crack, varying sounds. Think of a whip as a musical instrument. A whip transfers energy to the whip catcher as well as contributing sound energy to the space. Connects the thrower with the whip catcher. Connect with the energy of the music, connect that energy to the whip catcher with the added energy of the whip. Crack when the music screams crack, puff when the music does not support a crack.Jul 27, 2020
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WITD 201.15 Footwork35 viewsRelating to What You Already Know WITD's approach with the 4 techniques for throwing whips is grounded in the adult learning theory that adults acquire new skills quicker by relating them to skills with which they already have experience. All 4 techniques are commonly used to throw floggers, cats, quirts, and dragontails. The same approach is taken to footwork. If you have experience throwing darts, fencing, playing tennis, ping pong, golfing, softball or baseball, etc. Relate the footwork in those activities to the footwork used to throw a whip. See what feels the most natural that correlates to past experiences.Jul 26, 2020
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WITD 201.14 Sacred Space40 viewsA dungeon is a sacred space. Most cannot play in a dungeon daily. It is a special occasion to be honored, cherished, a place to share energy. Life is busy, many arrange schedules, take time off from work, merge schedules with play partners, travel many miles, spend varying sums of money and often have to stay overnight or several nights in a hotel. . .all for the chance of experiencing Sacred Space. It is NOT the time for whip practice, sport cracking, for loud talking as at a cocktail party. The dungeon orchestra is playing, soak in the music and the energy, share and cherish Sacred Space.Jul 23, 2020
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WITD 201.13 Aftercare part 240 viewsA continuation of the WITD 101.41a Aftercare video. Dos and Don'ts along with some materials to have on hand to enhance the aftercare expereience.Jul 22, 2020
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WITD 301.03 Chakras Whip Play57 viewsChakras Whip play involves energy exchange. There are several approaches to energy systems on the somatic level. The chakras insight views crown, eye, throat, heart, solar plexis, sacral, and root chakras. Normal strike zones with a whip involve primarily the heart and root chakras. Establishing energy flow throughout the system is important. Understanding that the throat chakra can close and that it might affect the whip catcher's ability to communicate during a scene is important to understanding how to open the throat chakra for safe play, or finding a communication work around. More on communication later.Jul 21, 2020
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WITD 201.12 Cooldown53 viewsCooldown by calming the scene down. Move energy, slow draw with Singletail, something soft like a rabbit fur flogger. Touching, erotic play with permission is a nice cooldown. Connection with an ending.Jul 21, 2020
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WITD 201.11 Buildup50 viewsBuildup "builds" on the Warmup to bring play into the 3, 4, 5, 6 pain scale. Cat o' nine tails are great whips for build up. Compare response between the root and heart chakras. Read body language to determine which chakra a whip catcher is preferring. Use this to guide singletail play. Climb the ladder with the singletail to play 6, 7, 8 by ramping up.Jul 21, 2020
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WITD 201.10 Warmup55 viewsA warmup is essential for a good whip scene. It establishes a base line of energy exchange to build upon. If the whip catcher does not want marks, then it prepares the skin for the singletail and minimizes the chances of marks. Of course cracker material and composition also affects marks, and the skill level of the whip top. A warmup also puts the thrower in touch with the relative 1-10 pain scale of the whip catcher setting the stage for the next level of play in a mixed whip scene.Jul 21, 2020
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WITD 201.09 Beginnings41 viewsSequencing Play discusses standard components of a mixed whip dungeon scene. The 200 series will take each component and discuss that segment in more detail. Beginnings is the first verse if you will of a dungeon scene.Jul 21, 2020
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