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WITD 201.06 Backhand Crack52 viewsBackhand Crack WITD 201.3 & 4 established the forehand flick and overhand. WITD 201.5 showed the backhand flick. Continuing to work on the backhand this video shows the slight variation to throw an overhand U-shaped crack on the backhand side. Call it simply a backhand crack. Remember slight variations on the throwing end make larger changes on the catching end. First simply watch the shape of the crack making a U-shape on the vertical on the backhand side. Then compare the wrist and hand position on the release point that makes this crack different than the backhand flick.Jul 12, 2020
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WITD 401.43 Hypnotica (Delerium)28 viewsHypnotica by Delerium. Great thanks to whip catcher: ladysally. In this music interpretation the music has distinct transitions, and slowly ramps up. I tried to make small changes on the throwing end, either by advanced throwing technique or through footwork to provide varying sensations on the catching end to match the music. For those who have been following the WITD 200 instructional series, see if you can identify the different variations as the song progresses.Jul 11, 2020
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WITD 201.05 Backhand Flick65 viewsBackhand Flick WITD 201.3 showed the forehand flick. Now reverse the process, isolate the backhand, stall the whip coming out of the forward figure 8 on the back hand side and flick it into a rolling U shape crack. Practice controlled puffs 1-8 on the backhand side, extending the whip's stall will make the flick effortless. Practice the backhand more than the forehand so that eventually both forehand and backhand are consistently even. This will be important when energy exchange is broken down further.Jul 11, 2020
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WITD 401.42 Youre The Inspiration (Chicago)35 viewsYou're The Inspiration by Chicago. Whip catcher: Moodstone Bullwhip thrown is a 4' 16 plait Peter Jack bullwhip. Watch this whip undress Moodstone and see why she's been my inspiration for 14 years. Fortunately my backhand crack was working really well today. Now if I could just get the damn neck knot on her top to cooperate. Guess I'll just have to keep practicing.Jul 10, 2020
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WITD 201.04 Overhand Crack83 viewsOverhand Crack The goal of the overhand crack is to create a U-shaped crack that rolls out over the top, or on the vertical. Much like a baseball or softball thrown directly overhand. When compared to the Flick which is thrown 3/4. Observing there is a slight variation on the throwing end when comparing an overhand with a flick. But small variations on the throwing end result in larger changes on the catching end. Practice this throw with controlled puffs, and remember this when thrown correctly at the heart chakra will also kiss the butt on the follow through of the arc or create a lighter touch on the root chakra.Jul 10, 2020
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WITD 401.41 Hineraukatauri Raukatauri (Hinewehi Mohi & the Auchland Chamber Orchestra)30 viewsHineraukatauri Raukatauri A whip interpretation of Hineraukatauri Raukatauri by Hinewehi Mohi & the Auchland Chamber Orchestra. For all my @New Zealand friends. Whip catcher: Moodstone. Dungeon toys used in sequence: colorful boa flogger (homemade bicycle handle design), white doe skin flogger by Happy Tails, galley whip by Maker, tomcat by Happy Tails, 3' 12 plait snake whip by Joe Strain. Erotic play toward the end: black Flemish giant rabbit flogger by Happy Tails (custom made with Dex providing the Flemish giant hides and Happy Tails making the flogger) and a the Strain snake whip.Jul 09, 2020
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WITD 201.03 The Flick103 viewsExtending the basic forward figure 8 into intermediate throwing techniques, The Flick is the first variation. This video looks at setting up a forehand flick, continued goals of controlled puffs and extending the stall of the whip to set up the crack.Jul 09, 2020
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WITD 401.40 Carry On My Wayward Son (Kansas)27 viewsTomcat and bullwhip rendition of Carry On My Wayward Son by Kansas. Whip catcher: ladysally. Tomcat by Happy Tails, 4' 16 plait bullwhip by Peter Jack.Jul 08, 2020
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WITD 101.43 Dungeon Etiquette66 viewsDungeon etiquette discusses protocols for setting up a whip scene in the dungeon. DMs and Tops in the vicinity of play must be notified, safety zones and whip lane or whip circle considered. Dungeon attendees should be considerate and use 6" voices if they have to talk. Whip play is edge play, a whip thrower in Top space is focusing on a singletail moving at 767 mph when it cracks. Distractions can result in unsafe play. A rule of thumb: if social voices can be heard above the music, then the dungeon music is not loud enough. Socializing is for the social area not the Sacred Space.Jul 08, 2020
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WITD 401.39 I Faithfully (Journey)25 viewsI Faithfully by Journey. Shout out to Waterhole Leather and @BuckWHL for making Moodstone's leather bustier.Jul 07, 2020
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WITD 101.42 In-Betweens60 viewsIn-Betweens discusses the many things that happen in between dungeon songs. One song ends, there is a 30 second to a minute pause before another song begins. Check-in, communicate, change whips, share energy and move it around. Look for a closed throat chakra, gain explicit consent and continue to the next . . .In-Between.Jul 07, 2020
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WITD 401.38 Have You Ever Seen The Rain (Creedence Clearwater Revival)27 viewsHave You Ever Seen The Rain by Creedence Clearwater Revival. 3' Peter Jack snake whip built on a 50/50 ratio. Thong is 3' and the fall is 3' for 6' total length. Very fast frequency and hisses like a snake moving in for a strike.Jul 06, 2020
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