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WITD 301.10 Cathartic Whipping81 viewsCathartic whipping scenes require extensive negotiation. They are optimally achieved when a true Sadist and true Masochist play together in an agreed to scene. A spotter or referee is recommended as often the masochist looses their voice in catharsis and the Top may even be non-verbal when in deep Top space. Heavy marking is common and blood may be part of the negotiations but is not required to achieve catharsis. After the buildup, processing time is reduced to almost zero and the breath is taken out of the scene. Dark energy exchange is involved and often the scene results in an out of body experience, sometimes almost a religious experience, and may or may not involve a healing aspect (although most of us are not psychologists, realize this is a possible aspect of this type of scene). There of course should be an agreed upon safeword, and an exit plan discussed between Top, bottom and spotter. The spotter should have the agreed upon authority to stop the scene. Read Chapter 17 in my book, Whips in the Dungeon as Master Malik of Tulsa, and slave linda of Atlanta share their thoughts after a cathartic whipping scene. While cathartic whipping is not my, Dex's passion, it is an important part of any advanced bullwhip discussion.Aug 02, 2020
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WITD 301.09 Dark Energy61 viewsWhat happens inside a whip catcher or bottom when their body experiences a hard bullwhip strike? What physical phenomenon can explain that level of intense energy exchange when an implement breaks the sound barrier at 767 mph while delivering a precise intense burst of energy entering the body. Dark energy is a physics phenomenon that occurs in the universe. This video discusses the analogy of applying that physics phenomenon to the intense energy exchange on the somatic level that a bullwhip or cane strike can produce. Much of how the body processes this level of energy exchange is still a mystery, obviously it produces an endorphin rush, but in some it stimulates an out of body experience, some drives subspace, and in some produces a sexual arousal that results in orgasm even though the pain/energy exchange is no where near the genital or erotic zones. Chakra zones possibly explain the energy transfer and travel through the body.Aug 01, 2020
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WITD 301.08 Dungeon Orchestra50 viewsThe dungeon is in play, darkly lite, equipment thoughtfully placed, DMs in the space and the orchestra is set for play. A wax pot ready at the waxing station, suspension rig ready for ropework, St. Andrew's cross standing for restraints, violet wand, paddles, canes, floggers, quirts, bootblacks greasing up oil tanned boots and the singletail playing in rhythm to the music. Multiple sounds, noises and energies combining in symbiosis of play. Do not be the whip cracker that becomes a nuisance, or does a sport cracking drum solo that does not fit with what the orchestra is playing to. Just as a full orchestra needs a kettle drum, the full dungeon orchestra needs a bullwhip. Do not be the whip thrower that gets whips outlawed in your dungeon.Jul 31, 2020
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WITD 301.07 Advanced Footwork56 viewsAdvanced footwork builds on the concept that small changes in the throwing end result in larger changes and a broader sensation spectrum on the receiving end of the whip. Building on relating footwork to activities the whip thrower is already familiar with advanced footwork relates foot positions to the 5 ballroom or ballet foot positions. It also relates each of those foot positions to common activities more generally found by active adults.Jul 30, 2020
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WITD 201.18 Intentionality in Play51 viewsThe whip scene with any type of singletail whip is edge play. Regardless of the type of negotiations before play, achieving the results negotiated implies the finesse and ability to actualize intentionality in play. Watch this video to further this discussion. If you negotiated no marks, is the whip top accomplished enough and using the proper type of cracker to with a high probability achieve a successful scene with no marks. Negotiating no marks, and leaving the whip catcher all marked up is poor form. On the other hand, if marks were negotiated was the cracker choice smart to increase the probability of marks being left even with a finessed controlled puff scene as negotiated?Jul 29, 2020
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WITD 201.17 Arts and Crafts49 viewsThis video will get the whip throwers ready for kinky camping events. Suggested materials are No 36 twisted mason line (it is fluffier and holds more paint, No 18 is what is used to make ladysally crackers for play), gel acrylic paints all the colors of the rainbow, tempra paint, drop cloth, parachord whips and canvases, or better yet living canvases to create living art (goggles, safety glasses, blindfolds, or simply closing the eyes recommended). Turn controlled puffs into brush strokes and parachord whips into paint brushes. Great use for parachord whips after the whip thrower has taken the plunge into kangaroo whips.Jul 28, 2020
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WITD 201.16 Music and the Whip44 viewsMusic carries energy. . .sound energy. A whip makes a sound as it travels through the air, and another sound as it ends its travel. From a controlled puff to a crack, varying sounds. Think of a whip as a musical instrument. A whip transfers energy to the whip catcher as well as contributing sound energy to the space. Connects the thrower with the whip catcher. Connect with the energy of the music, connect that energy to the whip catcher with the added energy of the whip. Crack when the music screams crack, puff when the music does not support a crack.Jul 27, 2020
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WITD 201.15 Footwork41 viewsRelating to What You Already Know WITD's approach with the 4 techniques for throwing whips is grounded in the adult learning theory that adults acquire new skills quicker by relating them to skills with which they already have experience. All 4 techniques are commonly used to throw floggers, cats, quirts, and dragontails. The same approach is taken to footwork. If you have experience throwing darts, fencing, playing tennis, ping pong, golfing, softball or baseball, etc. Relate the footwork in those activities to the footwork used to throw a whip. See what feels the most natural that correlates to past experiences.Jul 26, 2020
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WITD 201.14 Sacred Space46 viewsA dungeon is a sacred space. Most cannot play in a dungeon daily. It is a special occasion to be honored, cherished, a place to share energy. Life is busy, many arrange schedules, take time off from work, merge schedules with play partners, travel many miles, spend varying sums of money and often have to stay overnight or several nights in a hotel. . .all for the chance of experiencing Sacred Space. It is NOT the time for whip practice, sport cracking, for loud talking as at a cocktail party. The dungeon orchestra is playing, soak in the music and the energy, share and cherish Sacred Space.Jul 23, 2020
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WITD 201.13 Aftercare part 246 viewsA continuation of the WITD 101.41a Aftercare video. Dos and Don'ts along with some materials to have on hand to enhance the aftercare expereience.Jul 22, 2020
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WITD 301.03 Chakras Whip Play64 viewsChakras Whip play involves energy exchange. There are several approaches to energy systems on the somatic level. The chakras insight views crown, eye, throat, heart, solar plexis, sacral, and root chakras. Normal strike zones with a whip involve primarily the heart and root chakras. Establishing energy flow throughout the system is important. Understanding that the throat chakra can close and that it might affect the whip catcher's ability to communicate during a scene is important to understanding how to open the throat chakra for safe play, or finding a communication work around. More on communication later.Jul 21, 2020
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WITD 201.12 Cooldown59 viewsCooldown by calming the scene down. Move energy, slow draw with Singletail, something soft like a rabbit fur flogger. Touching, erotic play with permission is a nice cooldown. Connection with an ending.Jul 21, 2020
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