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WITD 401.11 Closer (Nine Inch Nails)63 viewsWhip interpretation of Closer by Nine Inch Nails. Whip thrown a 4' 16 plait Peter Jack target bullwhip. @PositivelyDom, @MisstressMarion, @Bacara33 for requesting this song.
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WITD 401.36 Like A Stone (Audioslave)63 viewsLike A Stone by Audioslave requested by Snoflak. Love to Snoflak and all of my Feel Me Breathe family. Whip catchers: Moodstone and ladysally. Whip thrower: Dex in full dress leathers. 3' snake whip by Joe Strain.
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Caning 101.26 Music63 viewsMusic is an essential component for a good caning scene. Connecting the energy of the music with the energy in the cane to the caning bottom allows the cane to be played in synergy with the surrounding energy and other instruments playing in the dungeon. Watch an example of how this is done. Regardless of which stroke or technique is being used tie that technique to the beat of the music.
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20 - 4ft Dragontails63 views4' Dragontails are fun to throw, easy to manage in a small space, dungeon or house party. They are a type of singletail and while an entry level whip they remain in my toybag 26 years later and I throw them almost every scene.
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WITD 101.35 Consent62 viewsConsent begins when negotiations end. Gain explicit consent to play within the negotiated parameters. Check in frequently, gain explicit consent to continue play or the scene. Do this until many whip sessions with explicit consent have been successfully navigated, good communication, learning each other's body language, and layering/building upon multiple scenes with the same whip catcher can lead to implicit consensual play."
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WITD 101.36 Finding Your Whip Toe Line62 viewsFinding your whip toe line will provide you a consistent way to finding the starting point (radius) needed between your throwing style and the whip catcher. Finding your whip toe line will prevent being too close and hitting ears, the back of the neck, wrapping over into collarbones, etc.
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WITD 401.35 The Riddle (Five For Fighting)62 viewsA whip interpretation of The Riddle by Five For Fighting.
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WITD 401.40 Carry On My Wayward Son (Kansas)62 viewsTomcat and bullwhip rendition of Carry On My Wayward Son by Kansas. Whip catcher: ladysally. Tomcat by Happy Tails, 4' 16 plait bullwhip by Peter Jack.
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WITD 201.06 Backhand Crack62 viewsBackhand Crack WITD 201.3 & 4 established the forehand flick and overhand. WITD 201.5 showed the backhand flick. Continuing to work on the backhand this video shows the slight variation to throw an overhand U-shaped crack on the backhand side. Call it simply a backhand crack. Remember slight variations on the throwing end make larger changes on the catching end. First simply watch the shape of the crack making a U-shape on the vertical on the backhand side. Then compare the wrist and hand position on the release point that makes this crack different than the backhand flick.
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WITD 401.44 Heaven (Depech Mode)62 viewsHeaven by Depech Mode. Whip catcher: Moodstone, Bullwhip: Jesus Jack whip by Peter Jack.
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WITD 201.07 The Cutback62 viewsThe Cutback Almost 50 videos into the series and this is the first S-shaped crack taught. Sport crackers often teach the Circus crack or Cattleman's crack as the first crack to learn. While it is the easiest crack to learn and the loudest to crack. This S-shaped crack depending upon the geometric plane it is thrown in goes by many names. When angled on the backhand side on a diagonal, it can be called a backhand cattleman's crack, or a Cutback. A cattleman's crack naturally wants to crack 2/3 of the way down the thong. Long before it reaches its dungeon target, a whip catcher. So slow the cutback way down when learning it and let the S-shape, transition into a U-shape and let it rollout all the way to its target for a controlled puff finish. Then practice it with controlled puffs. The first crack learned sport cracking is the LAST crack to learn when the goal is throwing in the dungeon on a living target with control and finesse.
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WITD 201.10 Warmup62 viewsA warmup is essential for a good whip scene. It establishes a base line of energy exchange to build upon. If the whip catcher does not want marks, then it prepares the skin for the singletail and minimizes the chances of marks. Of course cracker material and composition also affects marks, and the skill level of the whip top. A warmup also puts the thrower in touch with the relative 1-10 pain scale of the whip catcher setting the stage for the next level of play in a mixed whip scene.
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